Once again the dreaded Same Night Syndrome struck here, I had originally planned to go and see Blackberry Smoke this night but when the three dates for this all-girl band were announced things changed, since the only one I could possibly make was at this Black Country venue on that very night. I’d long planned to go and see the band again after seeing them make an impressive debut last July in Birmingham, in the meantime I’d been following events closely as they demoed material and, at the beginning of the year finally went into a studio to put some of the songs they’d written down on tape. (Do they still use tape these days? 😉 )
When I saw DORJA last year I was already familiar with some of the band members, having seen them play on numerous occasions in their previous band (which performed covers of punk/new wave classics). At that time they had only recently left that act (and had shed the stage names I’d known them by until then); that, plus the fact that the new band would not only feature their own material but be in a more traditional hard rock direction, meant that I was still adjusting to the change when that gig took place. We were also introduced to a new face that night in vocalist Aiym Almas; a Kazakh-born, LA-residing singer who had been recruited by drummer and founding member Anna Mylee during her own time spent in LA. The band impressed those who’d come along, despite the singer suffering from illness which forced the other band members to take occasional vocal spots too.
By the time of this release and series of gigs I and others had got to know the band and their members better, mostly via a series of social media posts which provided updates on what they were doing. The girls (without the singer) met up in Anna’s Belgian homeland last autumn to demo material and also conduct an interview, while they had maintained regular contact with their US-based singer via the magic of Skype. When they played this time around, it was with Aiym firing on all cylinders, and I’d heard great reports from people who had attended the previous two dates. So, no pressure then, as I said to Anna during a pre-gig chat at their merch table…!
Anna’s kit was set up stage right (house left), as the LiveWire backline took up a lot of the stage. She came out first and pounded a rhythm reminiscent of Cozy Powell’s ‘Dance With The Devil’ before launching into opener ‘Reaching Out’. Straight away, it was obvious what a powerful and soulful singer Aiym is, this brought it home that last year we only saw about 30 percent of what she can do. In addition, she has real ‘stage presence’; almost regal in the way she carries herself. This band may be made up of attractive women (sorry girls, but you are!!) all of whom have confidence, ability and presence themselves (particularly dynamic bass player Becky Baldwin who is never stood still) but, I for one found it difficult to tear my eyes away from that captivating frontwoman.
All the tracks from the EP were performed, as well as some material that did not feature this time around including pacy hard rocker ‘Turn In All Around’ and ‘Far Gone’, a bluesier number that features a ‘Moby Dick’-style drum solo in the middle. (It’s kept short!) It is to be hoped that these do feature on another release in the near future.
Although the revelation for me was the singer, there was great playing from all concerned, and it was guitarist Holly Henderson who provided much of the backing vocal for the singer, their voices blended well together on the soulful ‘Not In My Shadow’. Across the stage, Rosie Botterill on the other guitar was responsible for my breaking out the air guitar, during ‘Fire’ 😉
They ended their set with a medley/cover, combining The Beatles’ ‘Helter Skelter’ with Zeppelin’s ‘Whole Lotta Love’, both with a raunchy and throaty vocal from Aiym. They were given around 45 minutes by LiveWire and made the most of the opportunity, wowing the early arrivals and, judging by the amount of people at their stand afterwards, winning many new followers.
The band must surely be pleased with how these shows went; all the girls have plenty of other irons in the fire musically but when this five-piece do get together, they’ve showed in the few gigs they’ve performed so far that collectively, they’re really something special. LiveWire are to be commended for inviting them to support (they did a good -lengthy- set themselves, featuring two vocalists who cover both Bon and Brian material) and if DORJA can land themselves a support tour of this country opening for a ‘name’ band playing Academy-type venues, there’ll be no stopping them. I gave the EP four inflatable guitars, live they’re something else and therefore the five are awarded here 😀