This gig was a year late for me; I’d intended to see the international all-girl hard rockers in July 2017 but was unable to travel then owing to the fractured ankle sustained a month before. At that time the band had just introduced new guitarist Sarah Michelle, so it was doubly disappointing not to get the chance to see her line up with the band last year. Because the band are made up of musicians who live some distance apart, they can only play selected dates. This run of dates took in a few shows in continental Europe and return dates at festivals held in Scotland and also the SOS Festival in Prestwich, near Manchester. I was able to attend SOS Festival for the band’s Sunday appearance (a few photos from that event appear on this post) but this post will cover the gig played the previous evening in Birmingham.
Actress & Bishop styles itself as Birmingham’s ‘original and best’ music pub. There are two levels, the upstairs level was where the live music was to be held and I got there a little after 7:30. It was a multi-band bill and DORJA were to close out the evening. Of the other bands I saw, two of them were trios consisting of lead vocal, lead guitar/vocal and drummer (no bassist). That seems to be a trend now, not one I’m keen on as a bit of a rock ‘traditionalist’ but both Air Drawn Dagger and Kanada played with commendable energy. The trio format was about all they had in common though; Air Drawn Dagger were fronted by a female vocalist who used the floor as much as the (small) stage while Kanada were three guys ‘of a certain age’; their permagrinning guitarist provided much of the visual, with a headset mic to allow him to roam the stage as well as sing. Third band I caught were Midlands stoners Resurrection Men, boasting a 3-guitar line-up and some fuzzy-toned music that took several twists and turns.
There was a good turnout for DORJA with not just your correspondent having travelled some distance to attend, the band have now got some dedicated followers prepared to spend a lot of time and effort to see them play whenever the chance arises. It’s that fan dedication which enabled them to raise the funds to record their debut album ‘Gemini’ (available at these dates), it has been well-received by the fanbase which bodes well for any follow-up album. All the tracks from that album were performed live at this show, not in the order on the record though as they opened with ‘Reaching Out’. What was immediately noticeable was that live, the restraint shown on the record is completely gone. Guitarists Rosie Botterill and Sarah Michelle deliver the riffs with plenty of intensity, while the returning Becky Baldwin (she had only been able to play some of these dates owing to schedule clashes, with their producer Oliver Lee stepping in when required) gives her usual whirling dervish performance on bass. Anna Mylee gets a brief drum solo mid-set, her playing was as impeccable as ever.
But it’s the singer who really captivates – Aiym Almas is a star waiting to be discovered. Her bluesy roar was in full effect here, and she has added a little bit of raunch to her stage presence too since last I saw her. An alluring presence, even in a band full of accomplished players she absolutely owns that stage. This was so good a performance, that I hope at least one of these dates were recorded for a possible release. They’re very good on record but live is a whole different level, they look like headline material for bigger venues already. They ended their main set with ‘Fire’, the song which started it all for them and for an encore they played their usual mashup of ‘Helter Skelter’ and ‘Whole Lotta Love’. Going off to big cheers, they were soon posing for pictures and chatting to their followers for some time afterwards.
This band are still a well-kept secret; their take on a classic blues-based rock sound allied with a lyrical theme of empowerment which runs throughout the ‘Gemini’ album does set them apart. It will only take one established band to snap them up for a support tour to push them up to where they deserve to be. The band are hoping to play more UK dates in the autumn, and it is strongly recommended to get to at least one of them before they do become the ‘must-see’ act I expect they will become.
As a postscript, presented below are a few shots from the band’s appearance at SOS Festival; they played a slightly shorter but equally well-received set there. SOS Festival is a rock/metal event held each July at the Longfield Suite in Prestwich, and attracts bands from all over the country. A well-run event with a main and acoustic stage, it is one I intend to attend again next year.