Single: DORJA ‘Far Gone’ (download-only)

Those DORJA girls are adept at generating a buzz alright, with the release of their latest single ‘Far Gone’ after a lengthy teaser campaign involving cover art, snippets of the track and a brief taster of the accompanying video all leaked to social media over the past few weeks. The track itself is the first to feature new guitarist Sarah Michelle, who joined in the summer shortly before the group played a series of UK dates. One of those gigs was a return to PKD Festival, held in Scotland and where DORJA made such an impression upon that event’s organisers in 2016, that they booked the band again immediately for the following year. Footage from their 2017 appearance has been used for their promo video, which is linked at the bottom of this post.

‘Far Gone’ has been part of their live repertoire for some time; I saw them play it back in March, yet was only recorded in the summer while all the members were in the UK. The song is a blues-influenced hard rocker in their now-familiar style, gently led in by Sarah Michelle’s opening guitar and Aiym Almas’s throaty vocal, before the powerchords kick in, in true Whitesnake tradition (‘Break me, or take me as I am, I’m not giving in’). The arrangement is similar to the live rendition save for the absence of the brief drum solo – but they have simply replaced one Zeppelin nod with another, with ‘Whole Lotta Love’-styled atmospherics in its place (kept short).

If you liked the material on the earlier ‘Target Practice’ EP then you should enjoy this too. It wouldn’t surprise me if it were to appear in physical form on a future EP as they have more material ready to go, and have been writing again since Sarah Michelle joined up. She is a perfect fit for this band, and I look forward to hearing how she influences the writing of their future material.

For now though, this will keep we Dorjians going until they reconvene for more live dates, which are planned for early 2018. With the membership scattered far and wide, they have to plan things long in advance, but they’re gaining a loyal following which should mean we see and hear a lot more from them in the coming year.

The video for the single is now available on youtube, to get a high-quality download of this track please click this link to go to their online store.

4 – Deserving

 

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EP: Holly Henderson ‘Desert Wax’ (self-released, download only)

When DORJA founding member, guitarist Holly Henderson announced her departure from the all-girl rock quintet earlier this year, one of the reasons she gave was that she was ‘still searching for her musical identity’. There always was more to her than meets the eye (or the ear); even while playing rhythm guitar in a touring covers band she had been writing her own music and putting up demos. The material she wrote herself was often very different from what she was doing in a band situation; she’d co-written three songs in a punky style for a previous band before contributing to the writing of all the material issued to date from DORJA (including that band’s imminent release ‘Far Gone’). Her own stuff however was drastically different; ranging from laidback, late-night listening to more rocking, but alternatively-styled music she has proven to be an artist willing to switch styles and genres, keeping her followers on their toes.

This EP (released in August 2017) is about as far removed as is possible to get from DORJA, it is a full-on dive into experimental, ambient electronic music. As such it was one I had to listen to on numerous occasions to even begin to get it, since I will cheerfully admit to being an unreconstructed, dyed-in-the-denim hard rocker totally set in my headbanging ways. That said, based on what I already know of Holly’s work I believe in her talent unconditionally, so whatever form her music takes I am willing to investigate. (I do not say that for many artists!)

Holly Henderson - Desert Wax

Holly Henderson – Desert Wax

‘Desert Wax’ is a concept EP, the storyline of which she has gone into in more detail about on her own site but is essentially about a group of people so disillusioned with society that they break away in search of their own space. The title track sets the tone, with layered, echoed vocals over an ambient backing track. Her vocal is drenched in effects, so that it becomes another colour on the palette. ‘Not’, the third track does appear to feature a guitar but don’t expect hard rock here – the idea is for this music to take you on a journey, and I found it best listened to as a whole, in one sitting, with headphones to get its full impact. If you’ve got an upmarket hi-fi and have the isolation in which to listen to this properly, you’re more likely to feel this music more deeply.

Standout track for me is ‘Safe Place’ in which Holly duets with herself using two different effects, (one deepened) on her voice to achieve a call-and-response type of song (“Take me to a safe place/I’ll take you to a safe place“).

Holly could probably come up with something distinctive even if you just gave her a paper and comb, but ‘Desert Wax’ shows her in a totally different light to what I’ve seen and heard of her before. If I’m completely honest I don’t think I’d let many other artists take me on the journey I found myself embarking on with this EP, it is so far outside my metallic comfort zone. Once over that mental hurdle however, I found this to be an engaging listen, with more than a hint of prog. She has that knack of drawing you in, just as she did with previous offering ‘Opium Drip’.

Holly Henderson has come a long way in a short time already, it’s almost impossible to believe that this is the same person who wrote three punk rock-styled tracks last year for an EP recorded by another band, but it’s true – she wrote that as well ūüėČ
She has however demonstrated a depth and range to her talent that will take her so much further, and with the release of her first full album of original material still to come, I see only a bright future for this Maidstone miss.

The ‘Desert Wax’ EP is available on CD Baby or Music Glue, as well as from all the usual outlets, and if you want to try for yourself a Spotify link is provided below:

4 – Deserving

 

 

All change in the DORJA camp; farewell Holly and welcome Sarah Michelle

Almost a year to the day since DORJA announced themselves with their track ‘Fire’, they have now had a change to the line-up. Founding guitarist Holly Henderson announced her departure last month, as her own solo career is set for lift-off. She has plans to play live with her new band, and with a new EP imminent and an album in the can for release later in the year she perhaps felt that she could no longer give her all to DORJA. With dates of their own booked for July, the remaining quartet (guitarist Rosie Botterill, drummer Anna Mylee, bass player Becky Baldwin, plus LA-based lead singer Aiym Almas) conducted an online search for a new guitarist, and they have today announced their new member.

Hailing from Dublin, Ireland, new six-stringer Sarah Michelle has several years’ experience touring the UK and Europe, most recently with tribute act ‘The Magic of Michael Jackson’. Her guitar influences include Eddie van Halen, Gary Moore, Jimi Hendrix and Paul Kossoff, and she maintains a channel on YouTube with over 1.2million views at the time of writing. She appears to be a natural fit for this band, and I was hoping to get to a show or two in order to see for myself what she will bring to the party. However I shall be out of action for most of July having sustained a fractured ankle (following a recent gig, note not during it!) therefore I cannot travel to any of the scheduled dates. Beyond disappointed at that, since I know the other four members well and would no doubt enjoy their set, but it will have to be another time.

The dates for DORJA’s upcoming tour are listed below, if a show is reachable I recommend attending, since the band members can only come together at irregular intervals (singer Aiym Almas is based in LA, with Sarah Michelle in Dublin and the other girls all based in England).

For further information please see the band’s Facebook page.

DORJA UK dates July 2017
Lastly, here is a clip of Sarah Michelle herself from her youtube channel:

DORJA guitarist Sarah Michelle

DORJA guitarist Sarah Michelle

Breaking down the month of May with Holly Henderson

It’s been an incredibly active month for Holly Henderson, a talented musician and songwriter (and guitarist in female rock combo DORJA) who I have been following for some time now. At the beginning of May she played her first gig with her new live band at a music event in her home town of Maidstone, which your correspondent saw, having¬†made the crazy decision to drive all the way there from Merseyside, watch her set, hang for a while and drive back – all on the same night! More on that later, but hot on the heels of that, one of the tracks from her upcoming album (‘Loneliness’, which she performed at that gig) has now been aired on BBC Radio Kent, and if that isn’t enough, she has just unveiled the promo video for her song ‘Breakdown’, a track taken from her ‘Opium Drip’ EP.

As well as all of that, she has been performing with DORJA, and has also appeared in a promo video for their track ‘Reaching Out’ which was shot in April, while all five band members were in the UK. (Vocalist Aiym Almas is based in LA while drummer Anna Mylee lives in Belgium.) DORJA will return for more¬†UK¬†live dates in July and I intend to see at least one, hopefully more of their shows.

Regarding the gig, which took place on the May Day bank holiday at The Style And Winch in Maidstone, this was as part of an all-day music event featuring several acts. However, I was only concerned with getting there in time to see Holly’s set and despite setting out in early afternoon, barely made it there in time. With the exception of the song ‘Your Hands’ (performed in rearranged form to suit the band format), taken from ‘Opium Drip’ I was unfamiliar with all of this material, since the album that will feature it is still to be released. The pacy rocker ‘Loneliness’ impressed me in particular, and she proved to be a natural fronting a band, displaying a welcome sense of humour in her between-song chats. She did have a few serious messages too, urging us (as a species) to ‘stop raping the planet’ before performing a number dealing with that topic. (As an aside, Delain’s ‘The Tragedy Of The Commons’ is also concerned with that issue.)

Many of the audience were known to her, including her mum who was situated to the left of the room close to the front. She was backed by her ‘guitar compadre’ Jamie Chellar, backing vocalist Katy Chellar, bassist Martin Taylor and drummer Luke Phillips. All were impressive players themselves (especially the drummer, who got the chance to kick up a storm close to the end of the set) and a cover of Radiohead’s ‘High And Dry’ provided¬†Jamie¬†with¬†a moment in the spotlight. This outfit is¬†tasked with recreating live the music made in LA with guitarist Pete Thorn, drummer Blair Sinta and bassist Jon Button and although I’ve yet to hear the finished album, on the evidence of what I saw this group will more than do it justice.

At that gig Holly declared that ‘Loneliness’ would be the album’s first single, and it was played on BBC Radio Kent’s ‘Introducing’ programme on May 13 2017. This is a very ‘immediate’ sounding song, combining hard-driving guitar with Holly’s more tender vocal. She has said that while previously she has preferred to cover her vocals in reverb and other effects, she¬†was encouraged by Pete Thorn to give her voice more prominence during the sessions for the album. Described as ‘awesome’ by BBC Kent presenter Abbie McCarthy, it bodes well for the album as a whole.

Finally, her video for ‘Breakdown’ was released on May 16 2017. This video was directed by George Mays, who personally invited Holly to LA in order to produce the clip after having heard her ‘Opium Drip’ EP. She flew out in November 2016 and spent around a fortnight on the project. The finished video features some special effects, literally of Holly putting¬†herself back together after a ‘breakdown’ – there are scattered limbs everywhere, but it isn’t quite as horrifying as it sounds! The low lighting in the clip suits the mood of the song perfectly, and she is a natural in front of the camera.

Holly has come a long way from when I first saw her live (here in Liverpool) a little over two years ago; her inherent talent meant she could never be expected to play rhythm guitar in a covers band for ever. Even while doing that gig, she had uploaded to her Facebook page some snippets of her own playing, and demos of material she was writing (some of which ended up on the ‘Opium Drip’ EP) so the more awake fans of her then band could see clearly she was headed for bigger things. With the imminent release of her album and live dates in the pipeline, it won’t be long before the ‘tastemakers’ come calling. I fully expect her to appear on BBC Sound of 2018 at the start of next year… no pressure then ūüėČ

Holly and her band at The Style & Winch, Maidstone

Clockwise from left: Holly, Katy Chellar, Luke Phillips, Martin Taylor, Jamie Chellar

The BBC Introducing Kent radio programme featuring Holly is linked here (available until mid-June 2017) and her song is featured at 45:27.

The video for ‘Breakdown’ (dir. George Mays) can now be viewed on Vimeo (YouTube coming soon)

Breakdown from George Mays on Vimeo.

Lastly – the video for ‘Reaching Out’ by her band DORJA (dir. Dan Coffey):

Caught Live: Women In Rock, Eleven, Stoke-on-Trent May 12th 2017

There seems to be an increasing number of live acts celebrating a particular ‘theme’ of music; for instance the touring Supersonic 70s (aka ‘Solid Gold 70s’) is a live band with male and female vocal, who celebrate all things 1970s with a selection of hits from the decade taking in many different musical styles, and all presented with a dash of humour and period clothes for the performers. It is a welcome change from the number of tribute acts out there; almost any reasonably well-known band now will know they’ve arrived when they have their own copycat tribute act. While it can be enjoyable, the idea of doing a show based on a theme rather than a particular band is starting to become popular and so it is with this show. ¬†It is exactly as it says on the tin, as far as I’m aware this is the only act of its kind on the circuit in this country. Once again a live band, but with two (sometimes three) female singers out front performing songs made famous by prominent female rockers. ¬†The band musicians themselves aren’t necessarily female, but on the occasion I caught them their guitarist certainly was. ¬†I was here mainly because DORJA guitarist Rosie Botterill was playing; she had been invited to guest on guitar for this show alongside their regular band.

Looking at the website for this act, they seem to have a revolving cast of singers who come in as and when available. They have been known to include The Duchess from the band Space Elevator in previous shows, but for this show the singers were Emily J Clark (who has appeared with ‘Vampires Rock’ among other shows) and Aussie vocalist Sara-Louise. Eleven is a bar and function room set in an industrial estate, which is easy to miss from the road (I drove past it myself before realising) with a not-very-obvious entrance up a flight of steps. However once inside, the room is spacious with a decent-sized stage. The group came on stage just before their scheduled start time of 9pm, with the singers and guitarist Rosie accompanied by male musicians: bassist Steve Clay, drummer Mick Neaves and keyboardist Jamie Brooks. ¬†They kicked off with a rendition of Pat Benatar’s ‘Heartbreaker’ which introduced the powerful voice of Sara-Louise and ran through a series of rock favourites, including Joan Jett’s ‘I Hate Myself For Loving You’, Blondie’s ‘Atomic’ and Stevie Nicks’ ‘Edge Of Seventeen’. The songs were sometimes performed as duets, with the ladies taking the verses in turn, or sometimes one would step to the front of the stage while the other provided a backing vocal.

Not everything was obvious 1980s classic rock however; some surprises included Skunk Anansie’s ‘I Can Dream’ (which Sara-Louise described as more modern. It is, kind of – but it’s now 20 years old!) and ‘Remember My Name’ – a minor hit for Stevie Lange which is best remembered as a theme to a perfume ad from the early 1980s. Whatever they sang, the vocals were impressive from both women. These songs aren’t exactly crooned, after all! Sara-Louise took on the daunting ‘Alone’; described as a Heart song (it was a huge hit for them, but was originally written and recorded by the obscure act i-Ten) while the power ballad quota was maintained with Cher’s ‘I Found Someone’. After an impressive cover of ‘I Got The Music In Me’ (a 1970s hit for Kiki Dee) there was a short interval.

The band returned for their second set with the singers having changed costumes, picking up where they left off with ‘Hazy Shade Of Winter’; originally a Simon & Garfunkel song of course but included here on account of the fact that the Bangles had a hit with their 1980s cover. They went soulful with ‘Piece of My Heart’ next, though the arrangement was closer to the Joplin (Big Brother And The Holding Company, if we’re being pedantic!) version than the Erma Franklin original, once again demonstrating the sheer vocal power of these ladies. In this set they included a few more recent covers; Sara-Louise impressed particularly with her delivery of Evanescence’s ‘Bring Me To Life’ (which also meant bassist Steve Clay stepping to the mic in order to deliver the male vocal parts) and Halestorm’s ‘The Rock Show’. Other recent-ish covers were Pink’s ‘Just Like A Pill’ and ‘You Oughta Know’ – the Alanis song featuring the only F-bomb of the night courtesy of Sara-Louise (!)

The act did tread some more familiar ground, covering Tina Turner’s ‘What’s Love Got To Do With It’ and ‘Because The Night’, a song which was a hit for Patti Smith in the late 1970s but co-written with Bruce Springsteen (who has performed a version himself with different lyrics). They closed out with Suzi Quatro’s ‘Can The Can’, before ending as they started with a Benatar cover (this time ‘Love Is A Battlefield’). The encore was a Bonnie Tyler medley/mashup , starting off with ‘Total Eclipse Of The Heart’ they segued into ‘Holding Out For A Hero’, which saw both Emily and Sara-Louise come to the fore. And that was our lot!

Special mention must be made of Rosie, who had only a short time to learn a lengthy set and did a terrific job of filling in for their regular guitarist (Alex Ward). I got to speak to her afterwards (and get an obligatory photo!) and she said that she would be performing again with this act, although she didn’t know yet exactly when. She was concentrating hard on her playing, usually she is a little more expressive with her trademark ‘bounce’ as seen with DORJA and in her previous life in a punk cover band, but here she was more restrained, taking the lead when prompted but largely giving the singers the spotlight. She is a self-confessed fan of Slash and this show was therefore special for her to perform in his home town.

All in all then, a great night of female-fronted rock performed by two mightly powerful singers, and all for less than a tenner. They do a wide scope of material, but as a fan of the European symphonic metal scene I’d like to see that side of female-fronted rock represented too. They get close with Evanescence’s hit, but I did suggest to the girls afterwards that maybe one or two from the likes of Nightwish or Within Temptation would fit nicely in this show. Whether that’s taken on board remains to be seen, but your correspondent did wear a Delain T-shirt for the occasion, as their singer is my favourite when it comes to ‘women in rock’ (!)

This act plays frequently across the UK and so I will aim to see them again when they come to the North West.

4 - deserving

4 – Deserving

Caught Live: DORJA (supporting LiveWire AC/DC), Robin 2 Bilston 31st March 2017

Once again the dreaded Same Night Syndrome struck here, I had originally planned to go and see Blackberry Smoke this night but when the three dates for this all-girl band were announced things changed, since the only one I could possibly make was at this Black Country venue on that very night. ¬†I’d long planned to go and see the band again after seeing them make an impressive debut last July in Birmingham, in the meantime I’d been following events closely as they demoed material and, at the beginning of the year finally went into a studio to put some of the songs they’d written down on tape. (Do they still use tape these days? ūüėČ )

When I saw DORJA last year I was already familiar with some of the band members, having seen them play on numerous occasions in their previous band (which performed covers of punk/new wave classics). At that time they had only recently left that act (and had shed the stage names I’d known them by until then); that, plus the fact that the new band would not only feature their own material but be in a more traditional hard rock direction, meant that I was still adjusting to the change when that gig took place. We were also introduced to a new face that night in vocalist¬†Aiym Almas; a Kazakh-born, LA-residing singer who had been recruited by drummer and founding member Anna Mylee during her own time spent in LA. The band impressed those who’d come along, despite the singer suffering from illness which forced the other band members to take occasional vocal spots too.

By the time of this release and series of gigs I and others had got to know the band and their members better, mostly via a series of social media posts which provided updates on what they were doing. The girls (without the singer) met up in Anna’s Belgian homeland last autumn to demo material and also conduct an interview, while they had maintained regular contact with their US-based singer via the magic of Skype. When they played this time around, it was with Aiym firing on all cylinders, and I’d heard great reports from people who had attended the previous two dates. So, no pressure then, as I said to Anna during a pre-gig chat at their merch table…!

Anna’s kit was set up stage right (house left), as the LiveWire backline took up a lot of the stage. She came out first and pounded a rhythm reminiscent of Cozy Powell’s ‘Dance With The Devil’ before launching into opener ‘Reaching Out’. Straight away, it was obvious what a powerful and soulful singer Aiym is, this brought it home that last year we only saw about 30 percent of what she can do. In addition, she has real ‘stage presence’; almost regal in the way she carries herself. This band may be made up of attractive women (sorry girls, but you are!!) all of whom have confidence, ability and presence themselves (particularly dynamic bass player Becky Baldwin who is never stood still) but, I for one found it difficult to tear my eyes away from that captivating frontwoman.

All the tracks from the EP were performed, as well as some material that did not feature this time around including pacy hard rocker ‘Turn In All Around’ and ‘Far Gone’, a bluesier number that features a ‘Moby Dick’-style drum solo in the middle. (It’s kept short!) It is to be hoped that these do feature on another release in the near future.
Although the revelation for me was the singer, there was great playing from all concerned, and it was guitarist Holly Henderson who provided much of the backing vocal for the singer, their voices blended well together on the soulful ‘Not In My Shadow’. Across the stage, Rosie Botterill on the other guitar was responsible for my breaking out the air guitar, during ‘Fire’ ūüėČ

They ended their set with a medley/cover, combining The Beatles’ ‘Helter Skelter’ with Zeppelin’s ‘Whole Lotta Love’, both with a raunchy and throaty vocal from Aiym. ¬†They were given around 45 minutes by LiveWire and made the most of the opportunity, wowing the early arrivals and, judging by the amount of people at their stand afterwards, winning many new followers.

The band must surely be pleased with how these shows went; all the girls have plenty of other irons in the fire musically but when this five-piece do get together, they’ve showed in the few gigs they’ve performed so far that collectively, they’re really something special. LiveWire are to be commended for inviting them to support (they did a good -lengthy- set themselves, featuring two vocalists who cover both Bon and Brian material) and if DORJA can land themselves a support tour of this country opening for a ‘name’ band playing Academy-type venues, there’ll be no stopping them. I gave the EP four inflatable guitars, live they’re something else and therefore the five are awarded here ūüėÄ

5gtrs

5 – Delightful

EP: DORJA ‘Target Practice’ (self-released)

It has been a long time in coming, but finally there is a physical CD of material available from this hotly-tipped all-girl hard rock band who were last seen on these shores in July 2016.

DORJA launched in June last year; formed by Belgian drummer Anna Mylee during a spell in Los Angeles, she recruited fellow LA expat, Kazakh-born singer Aiym Almas before turning her attention back across the Atlantic to complete the line-up. She had worked with guitarists Holly Henderson and Rosie Botterill before, touring the UK extensively and gaining many admirers, and so both were drafted in from the covers band they had been part of previously. In turn, they invited bassist Becky Baldwin (one of the most active performers on the live scene currently, also a member of trio iDestroy and metallers Triaxis) into the fold, and the five initially conducted writing sessions via Skype before the whole group met up in LA in May 2016. ¬†Whilst there, they recorded one of their new songs (‘Fire’) and released it as a download-only single. That track also features (unchanged) on this EP, while the three accompanying tracks were recorded at the beginning of 2017 in England, with the singer adding her vocal tracks from her LA base.

Those who have followed this outfit from the start will already know ‘Fire’; a hard-hitting number with chunky riffage and a powerhouse vocal. Lyrically, it also sets a tone (heard throughout this record) of empowerment (“No, you’re not winning this game; I’m not a prize that you can claim”) which gives this material more depth than a party-hard lyric often heard in hard rock of this style. (Not that I’m against a bit of hard partying, of course!) ¬†The lyrical theme continues on ‘Not In Your Shadow’ (“Hear me speak, it’s louder than what you might remember”) but on this number, the guitars are dialled back a little allowing a more soulful, passionate vocal. ¬†The heavier guitars are back on ‘Reaching Out’, with another defiant lyric (“And I will survive, because you don’t fight my fight”) delivered over Anna Mylee’s¬†syncopated beat, accompanied by some tasty lead soloing from Holly Henderson. The title track ‘Target Practice’ closes this EP, a mid-paced rocker featuring nice vocal harmonies, which builds up into a guitar-heavy crescendo.

For such a new band, this is an accomplished first offering. All the material is self-written (credited collectively) and this outfit is already starting to fulfil its huge potential. In particular, they have a real star in that lead singer, she has both raunch and tenderness in her delivery and knows when (and when not!) to deploy either quality.

The logistics of having an international membership mean that they only get together and perform some of the time, however I believe that if they were given the chance to spend more time as a unit (even if that meant a wholesale decampment to Los Angeles) they could deliver a fantastic debut album, one that would stand the test of time. Certainly if given the backing their talent merits, they must surely become huge in the years to come.

DORJA have just performed a trio of UK dates to launch this EP; a writeup of their set supporting LiveWire (AC/DC tribute) at Bilston will follow. They will return in July for festival shows, be sure to go along and catch these girls live.

targetpractice

Click image or link to go to DORJA webstore including CD and other merch

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4 – Deserving