CD: Inglorious ‘II’ (Frontiers)

This was an album I meant to do a write-up on long before now; I went to the band’s Liverpool in-store appearance in May and picked up this record on the day, but ‘stuff’ kept intervening and it’s only now, with me out of gig-going action temporarily that I have got around to this one.

Inglorious are the latest in a long line of British rock bands touted as ‘the future of rock’; they were saddled with a tag of ‘The New Deep Purple’ by some commentators, which I thought was a little unfair. For one thing Deep Purple didn’t hit their stride until their fourth album and then only after a change of singer and bassist! Also, when Purple were at their peak, they were also at their most dysfunctional, something that this band could well do without as they make their own way in the rock scene. The tag was one this band could never live up to, and their debut album of last year showed promise, but ‘In Rock’ it wasn’t.

The band are built around singer Nathan James, whose pyrotechnic vocals certainly attracted attention. They have striven to present themselves as a band, not just a vehicle for the singer, but such is his voice, his presence, that he does dominate the spotlight, just as (for example) David Coverdale before him did with Whitesnake. However all the members have contributed to the songwriting on this album, including guitarist Wil Taylor who, after recording his parts for ‘II’ parted company with the band at the end of 2016, to be replaced by his own predecessor Drew Lowe. Taylor has since formed another band (Deeva) and has been back at Liverpool’s Parr Street Studios this year (where this album was recorded), working on new material.

So what do we make of this follow-up album by Inglorious? CD in the deck, let’s press play…

It certainly gets off to a good start with ‘I Don’t Need Your Loving’; typical of their old-school rock style yes, but it’s a catchy number which ticks all the boxes. Hard riffs, singalong chorus and an early chance for James to show off those pipes. From there though, the album is full of material that could have been written by any number of those bands in that long line of acts that came before them. Titles such as ‘Hell Or High Water’, ‘Taking The Blame’, and ‘Change Is Coming’ give away what to expect even before you get to them, that this isn’t going to break any new ground. The playing is fine, the drums kick with enough wallop and the guitars slash away with intent, but these songs just don’t stick. Like the first album, you’ll come away with the impression you’ve heard this record many times before, the only thing that makes them stand out is the voice. There are fast-paced rockers (‘Taking The Blame’, ‘Hell Or High Water’), slower songs (‘Making Me Pay’), ones with Whitesnake-style gentle intros which bring the band in with a wallop (‘Tell Me Why’, ‘Change Is Coming’, ‘Faraway’), guitar workouts for axeman Andreas Eriksson such as the shred solo on ‘I Got A Feeling’, but this is an album that is a distillation of so many 1980s hard rock bands, nothing you haven’t heard many times before. It is all so familiar, that the only reason for picking it up is if you’re a particular devotee of James’s vocal style.

The in-store appearance aside, I’m still yet to see this band live (they are touring the UK in October 2017) and I’m sure they’ll cook up a storm live, but for me they need some stronger songs – even if that means an external writer. They can imitate the style of previous bands, but there is little to innovate here. I’m afraid this album only reinforces the perception that it is a vehicle for James, however hard he tries to tell us otherwise and I still feel the way I did after hearing this band’s debut – sooner or later he will be recruited into a supergroup or will be offered a solo mega-deal, one he would be crazy to refuse. This is a band made up of dependable, solid players but fronted by a singer who cannot be confined by this act for ever.

Inglorious II

Inglorious II

3gtrs

3 – Decent

 

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The Inglorious in-store, HMV Liverpool One, 16 May 2017

UK hard rock band Inglorious have just released their second album, ‘II’ (does that mean ‘III’ will take a folkier direction and the fourth album will be untitled, lads? šŸ˜‰ ) which was recorded here in Liverpool last year, at the famous Parr Street Studios. To promote the album at launch the guys appeared at Liverpool’s HMV store to play a short acoustic set and do a signing. The HMV store in Liverpool One has a small corner set aside for such events on the lower level, and a crowd of between 30-40 people had gathered. These things tend to be awkwardly timed, as they usually take place at around 5pm and unless you are working in the area or have time off, they’re not easy to get to. However on this occasion, I had the opportunity to attend and as it took place at Liverpool’s HMV store rather than one further up the M62, it’d have been rude not to have gone along!

I have never actually seen Inglorious live until now; the gig I had planned to see last year in Wigan was nixed by another Same Night Syndrome – it clashed with a gig from former Wishbone Ash bassist Martin Turner who was playing in nearby St Helens. Ā So this would be the first occasion I’d encountered them live in any capacity; they have since had one change to the ranks as guitarist Wil Taylor parted company with the group at the end of 2016. His replacement is Drew Lowe, who had beenĀ part of the band in its early days. However it is Taylor’s guitar which is heard on this album, alongside that of fellow axeman Andreas Eriksson.

The guys came through the store to make their way to the performance area, with cheery greetings from singer Nathan James. Although the set was to promote the new album, they actually opened with two tracks from their debut (‘Until I Die’ and ‘Breakaway’). In between, the frontman regaled the audience with tales of their time in Liverpool, namedropping a few pubs including The Shipping Forecast. He also pledged that they’d love to come back for their third album, so it is likely they will once again pitch up at Parr Street when that time comes. Some of the new songs were played including ‘I Don’t Need Your Loving’, with a shoutout for radio statio Planet Rock who have consistently supported this band with airplay.

Towards the end they let slip that there would be a UK tour in October this year; needless to say an audience member seized on that and asked whether it would include Liverpool. “I don’t know!” came the honest response from Nathan – “We don’t get to choose!” he added. Ā He did however say that they would do their best, especially if enough of us bought the album (!) “We need to pay back our record label!”, he concluded. The acoustic set lasted around 30 minutes, enough time to demonstrate what a powerful and rangy voice he has, as well as showcasing Andreas Eriksson’s ability to shred even onĀ acoustic guitarĀ .

Following the performance they gathered at a table across the store for the signing, everyone had either the CD or the LP version of the new album (the CD was Ā£10, but the LP retailed at a whopping Ā£27 – no prizes for guessing which one your correspondent plumped for!). These things tend to be a conveyor belt, but it was still possible to grab a quick chat with the guys. After the signing the staff gathered together those still remaining to have a photo with the band.

I’ll listen to the album more thoroughly in the coming days and do a write up when time permits; their first offering was good but to me was a little familiar, and I would expect this to be similar in style but hopefully with more of their own stamp to it.

Youtube clip courtesy Kerry Maher: