Always a fairly fallow time for tours, as it’s the height of festival season in the UK, plus I had a holiday in North Wales to enjoy this month! So the only gig I got to was once again at Stalybridge Tavern, for their ‘Punk Sunday’ multi-band bill held every so often. Because it was an all-day event that meant it was possible to get there and back by train from Liverpool, handy for me still recovering from my ankle injury at that time. There were several bands on including Australian outfit The Mis-Made, my reason for going was to see those iDestroy girls once again. They were as usual excellent, however my leg wasn’t up to standing through this whole event so after their set I headed home to give it a much-needed rest! This month saw the Hope & Glory Festival take place in Liverpool; sited at St Georges Plateau it was billed as a ’boutique’ event with three stages, but anyone who knew the area would have foreseen the problems which blighted day 1 (lengthy queues, little space to move) and with some acts actually axed from the bill because of an over-running schedule it all went wrong. The music on offer wasn’t at all to my taste, but even if it were I could have told them there would be logistical issues having an outdoor music event in such a confined space. The second day was simply called off and the organisers were slammed in the local media.
Only two gigs this month; the first was a second outing to see Women In Rock, this time at Chester’s Live Rooms. Their regular guitarist was back (so no Rosie from DORJA this time) and one of the female singers was different to the previous occasion I saw them at Stoke-on-Trent. They have a revolving cast of singers who appear as and when available; the set performed was along similar lines however. Their repertoire is mostly 1980s hits but they do include a few that are not so obvious. For instance they play Skunk Anansie’s ‘I Can Dream’, and also deviating from the norm a little they play Evanescence’s ‘Bring Me To Life’. (That was a number one hit in its day, mind you!) The only aspect of female-fronted rock they don’t really cover is European symphonic Metal; it’d be nice to see a Nightwish, Within Temptation or even a Delain (slight bias!) song added, as I’m sure their audience would be receptive. The other gig I saw this month was also at Chester, but in the L2 bar area which was decked out with tables and chairs for the occasion. Finnish blues guitarist/singer Erja Lyytinen paid the Live Rooms a visit, drawing a small crowd of blues/rock devotees she blasted away the serene setting with a storming demonstration of rock guitar. I’d never heard of her until this year but made a note of her next visit, which, when speaking to her after her set, she told me would be in March 2018. (She is scheduled to play in Southport at the end of that month.)
I’d been off the road for some time by this point, the car I could not drive during my injury needed more work doing to make it driveable than I thought it was worth, so it was public transport and strictly local gigs at this point! First up was Martin Turner, a founding member of 1970s rock band Wishbone Ash. He did used to tour under that name but a legal dispute with former bandmate, guitarist Andy Powell, saw the latter gain exclusive use of the Wishbone Ash name. Hence this gig was billed as ‘Martin Turner, EX-Wishbone Ash’! This gig was at the Brindley Theatre, a small civic hall in Runcorn town centre and would see he and his band play two sets, the second being a complete performance of Wishbone Ash’s 1971 album ‘Argus’. The show was extremely good in all aspects; a clear sound balance, fine playing from all concerned and plenty of classic songs to please the audience. Only thing was, this show coincided with an England World Cup qualifier, so the audience was ‘selective’. So much so, I bought a ticket on the night and found myself in the second row, centre of the stalls! A pity, since he is still in fine form, but he has played to a packed house in nearby St Helens too so does have a following in these parts still.
Next up was a long-awaited show from US band Living Colour. Last time I saw these was in 2004 at Birkenhead, and this show at Liverpool Hangar 34 came a year after their planned 2016 UK tour with Glenn Hughes was suddenly scrapped. That left intended openers Stone Broken high and dry, at least until the ex-Purple man arranged his own tour in January of this year. Living Colour then lined up this tour for autumn 2017 and again featured Stone Broken as support. This was my first visit to Hangar 34, situated in Liverpool’s Baltic Triangle it is a very good venue for bands this size, with good sight lines, a decent stage/sound system, and a capacity of around 800 it ranks alongside places like Manchester’s Academy 2. It is however a fair walk from the transport hubs, so even if you are local-ish you have a long hike here from getting off the bus in the city centre. Nonetheless it is a good venue and one that should be able to attract more bands to our city/ Stone Broken gave a good performance, with one or two new tracks from an upcoming album aired (they later revealed they’d signed with Spinefarm Records for their second album) and drummer Robyn Haycock played with such power she managed to knock over half of her kit while playing! Living Colour were greeted like returning heroes; singer Corey Glover was in a flat cap reminiscent of The Lancashire Hotpots (!) but sounded just as potent and passionate as he was in 1990. He has virtuoso players all around with Vernon Reid, Doug Wimbish and Will Calhoun cooking up a mighty storm. A great set, and let’s hope it isn’t another decade before they come back.
Two nights later, and I was back in Chester to see Stevie Nimmo at the Live Rooms for the second time. The difference this time was that his brother Alan was playing guitar for him – days before this tour started, Stevie broke his right arm in a cycling accident. Alan, meanwhile had been forced to reschedule the dates for his own band King King, owing to an ongoing throat ailment rendering him unable to sing. He could still play guitar though, and it was perhaps fated that the two brothers should pool their talents. Alan slotted in seamlessly, so much so Stevie could be seen playing air guitar with his one good arm at times! A week later and I was planning to see Marco Mendoza play a rare solo show in Liverpool, at the Magnet. That was however scrapped by the venue late on (ticket sales were slow, at best!) and it was thanks to support band Black Cat Bones that he still got to play in the city, as they hastily arranged another venue (Studio 2) for him to play. This was a great night, Black Cat Bones were themselves praised by the Dead Daisies man both for their set and that they rescued this gig. When the main man came on, he gave a virtuoso performance with that bass, and with a vocal talent that is all too often hidden as a backing singer in his regular gig. He didn’t care that few people had showed, he gave us what amounted to a private performance and went out of his way to involve everyone present. One of the gigs of the year for me because it was so personal.
My last gig of October was one booked earlier in the year, when funds permitted (!) Dutch symphonic metallers Delain, one of my favourite current bands, were playing a special run of dates and featuring Nightwish’s Marco Hietala as guest vocalist. The only UK date was in London, and I decided that it would actually be easier to travel to Utrecht in their homeland than venture to the UK capital. Fans of Delain know that the Nightwish bassist has a long relationship with this band; he played bass on their first album ‘Lucidity’ and has contributed vocals to several of their albums alongside regular singer Charlotte Wessels. When the time came for this gig however, I was unsure whether I’d be fit enough to make it owing to a recurring back ailment which rendered me almost immobile! It eased off sufficiently on the day however and I travelled,. After surviving a tumble down the steps at the hall (TivoliVredenburg Ronda) I found a good spot and settled to watch the openers, Swiss folk-metallers Cellar Darling who impressed the crowd. Also on the bill were Austrian band Serenity, a high-energy Power Metal act familiar to Delain fans as they’ve supported them before, who were entertaining as ever. Delain themselves were cheered to the rafters from first song to last, in the singer’s home city and when they introduced Marco Hietala, this place needed a new roof! Many songs were played that don’t normally feature in their set, especially ones where the Nightwish bassist did appear on record. They’d just released a live DVD from a show filmed a year earlier and revealed during this show that it was also being filmed. I look forward to that one when it does come out.