Caught Live: Nickelback (with Seether), Echo Arena Liverpool 7th May 2018

The lads in Nickelback were well aware that people would have been feeling the effects of enjoying the hottest day of the year so far, and on a Bank Holiday Monday at that.
“So are we feeling, what’s the word – knackered?” asked guitarist Ryan Peake early in the set, while frontman Chad Kroeger joked that they should never arrange a gig on a bank holiday again. He did his best to gee up this crowd by hollering ‘LIVERP-O-O-O-LLLL!’ at regular intervals, something he habitually does every time this band visits. It did have the desired effect, and he got a second wind out of the ‘knackered’ audience.

There’s little I can add to what I wrote the previous time they came here; their show featured many of their regular crowd-pleasing hits, they played everything well and the humorous interplay between Kroeger, Peake and their crew was present and correct (at one point, Chad jokingly admonished the crewman who brought on their drinks for not stopping to salute the crowd, then getting him to do just that the next time he came out). One thing I did like was their idea of putting up a countdown on the screen behind the stage, after support Seether’s set the band appeared on that screen to deliver a brief message, telling the crowd they’d be on in 20 minutes and in the meantime telling us to ‘buy beer’ (not at arena prices, fellas!) When that clock did count down to zero, it was a short featurette on the band which played on that screen, and in fact there was another five-minute interval before the lights dropped for real.

The set delivered was not that different from last time they were here 18 months ago; although they did open with the title track from current album ‘Feed The Machine’. I’d have liked more from that record personally (that was the only song from this record played all night), but they do tend to stick to what works and so once again ‘Photograph’, ‘Something In Your Mouth, ‘Lullaby’ and ‘Figured You Out’ were among many of their favourites given another airing. However they did pledge that they’d play something off all their albums to date and so they did ‘Million Miles An Hour’ from their previous album (‘No Fixed Address’) this time, as well as a medley of ‘Curb’ from their first album, incorporating snippets of ‘Where?’ and ‘Left’ (“There were some cool riffs on that first record”, explained Kroeger).

The traditional performance of ‘Rockstar’ with two fans invited up was memorable; Ryan Peake picked out a guy called Adam who not only sang it all but thoroughly lapped up his moment of fame, stomping all over the stage and even onto the stage ramps while fellow audience member Lucy (picked out by Chad Kroeger) also enjoyed her time up there, singing and dancing away. Both of them even managed to get selfies with the band members without breaking stride mid-song! (“No stage fright whatsoever”, remarked Chad afterwards.)

Towards the end the frontman sent the guitar tech into a bit of a panic, declaring that he wanted to play ‘Hero’ (his song from the ‘Spider-Man’ film of 2002) this meant a change of guitar and so he stalled for time, making light of the crew rapidly running off so that they could fetch the correct guitar for him and Ryan Peake. It kept them on their toes of course, but there was a lot of humorous banter all night, as usual whenever the band play here.

Of course ‘How You Remind Me’ closed the main set, and their encore was ‘Gotta Be Somebody’ and ‘Burn It To The Ground’ (“I’ve got my James Hetfield guitar ready so you know what’s coming!”, said Kroeger, a self-confessed Metallica fanatic).

So few surprises then, but once again Nickelback came, played a well-received set with everything from pop-rock singalongs to outright Metal, and sent a few thousand people home with smiles on their faces. I wish they had taken a few more chances with the setlist, though I get that they aren’t in the business of disappointing their fans (hey, that’s why they always play these big barns after all!) and so tend to adopt the AC/DC approach of ‘give ’em what they want’.  As they took their final bows, bassist Mike Kroeger decided to treat us to an impromptu workout of about 20 press-ups, why that was only he could explain!

Openers Seether also played a set touching on most of their back catalogue to date, with their riff-heavy downtuned guitar sound going down well with those who’d got here early enough to see the South African rockers. Perhaps they felt that they should do a bit of everything for fans not necessarily well-up on their material, but their sound is familiar enough. Not a million miles away from the likes of Shinedown or even Nickelback themselves when they crank it up, though their decision to place bassist Dale Stewart front and centre (thus getting the best of the stage light) rather than vocalist/guitarist Shaun Morgan was a little bit strange. Another good band brought to an arena setting in the UK by Nickelback (following the likes of Monster Truck and Black Stone Cherry), they’re a band I wouldn’t mind seeing live at one of their own shows at some point.

4 – Deserving



Caught Live: Nickelback (with Monster Truck), Echo Arena Liverpool 22 October 2016

I’ll say this for Nickelback: whenever they tour the arenas of the UK they invariably stop off at Liverpool’s arena. That isn’t something that can be said for most rock tours that come to this country, and as a result despite this place having been on the circuit for eight years now I still find myself traversing the M62 to Manchester far too often. They do draw a good crowd here too, although just as I did when they played here on a previous tour, I was able to get a ticket on the night for the standing area. On entering the arena, only the back blocks of the upper tier were sectioned off, suggesting that many had booked for the seats. That proved to be the case, as the seats were full shortly before the headliners appeared.

I had however wanted to see fellow Canadians Monster Truck who were the support, as what I’d heard from current album ‘Sittin’ Heavy’ I’d liked. The hall was still filling up as they came on stage at around 7:30 and proceeded to rock the hell out of the early attendees. A four-piece band fronted by bassist/vocalist Jon Harvey, they were as heavy live as they are on record, it came across as rather ‘stoner rock’ with satisfyingly sludgy guitar from Jeremy Widerman (playing a Gibson SG, he had the tone of Iommi with the stage presence of Angus Young – shirtless, bounding all over the stage), old-school Hammond-style keyboards from Brandon Bliss and relentless pounding from drummer Steve Kiely (who looked uncannily like Dead Daisies’ Brian Tichy to these eyes).

Monster Truck's Jon Harvey

Monster Truck’s Jon Harvey

The Truckers had about 45 minutes to make an impression and were boosted during ‘For The People’ by a surprise appearance from Nickelback’s Ryan Peake, which brought huge cheers from the still-swelling audience. It’s always a good sign when a member of the main act comes on during the opening act, it shows they’re there because the headliners wanted them, not because they had to ‘buy on’ as still happens all too often. Their set of old-school, hard-driving rock was very enjoyable and I would love to see them in a more intimate venue such as Liverpool’s o2 Academy; I reckon they could rock that place down the way the likes of Black Stone Cherry and Halestorm have done in the past.

Nickelback have scaled back their stage show in recent years; when I first saw them in 2009 they brought pyro, more lights than Blackpool Illuminations and an ‘ego ramp’ that not only extended well into the floor but had a drum kit of its own at the end of it! They pared it back on The Hits Tour a few years back and this time around, there were ramps to the side but aside from a couple of video screens and an effective lighting rig (allowing me to take snaps at a mere 800 ISO on the pocket camera!) it was just the guys and their instruments. They don’t really need gimmicks; they have plenty of singalong anthems and in Chad Kroeger, a frontman who is able to take command of an arena audience easily. He and fellow guitarist Ryan Peake were frequently calling for their tech to bring out drinks, toasting the Liverpool audience as they went along. It became something of a running gag, but it didn’t impair their performance. Kroeger is underrated as a live performer; a strong vocalist, he is also a good lead guitarist (even performing one number ‘fingerstyle’) as well as having a self-effacing sense of humour, joking among his bandmates and with the audience. When introducing the band, he observed how the female element of the audience would crane their necks to look past him at ‘handsome dude’ drummer Daniel Adair (!) Adair and also Peake provide good backing vocals, with the latter taking lead on occasion. The band performed ‘Hero’ (from the ‘Spider-Man’ soundtrack, credited to Chad Kroeger and Josey Scott), with Peake taking the Scott vocal lines. He was also given lead vocal duties in the encore, which featured a surprise cover of the Foo Fighters’ ‘Everlong’.

Chad Kroeger of Nickelback at Liverpool

Chad Kroeger of Nickelback

About midway through the frontman joked that he was glad that there were women in the audience, as they’d have to ‘become a Metal band’ if they stopped coming (!). They do play some material that is definitely Heavy Metal, but their enduring strength lies in that they really do have something for everyone, be it power ballads, fun rock ‘n’ roll, or even a bit of protest with set opener ‘Edge Of A Revolution’. The classic bands of the past mixed it up, and these guys are wise to do the same thing. Towards the end of the night, they invited up three fans to perform ‘Rock Star’ with the band. Two young girls (Faye and Georgia, if memory serves!) nervously shared one microphone while the older male who joined them (George, recognised by Chad Kroeger as having been on the front at most of the UK dates) was much more upfront, All knew the song word-for-word, and George enjoyed his three minutes of fame thoroughly, with his ‘backing singers’ providing a little bit of glamour on the stage!

Ryan Peake of Nickelback at Liverpool

Ryan Peake of Nickelback

They finished of course with ‘How You Remind Me’, and encored with the aforementioned cover of ‘Everlong’ before deciding to throw in an extra song for the Liverpool audience. That meant ditching the guitars already strapped on by Kroeger and Peake for different ones (they’d been swapping guitars frequently throughout the night) in order to play ‘Where Do I Hide’ (a track from breakthrough album ‘Silver Side Up’) before finally ending with scheduled closer ‘Burn It To The Ground’.

Daniel Adair of Nickelback

Daniel Adair of Nickelback

This is the fourth occasion I’ve seen Nickelback play (third time in Liverpool) and each time I’ve been scratching my head as to why they are so hated by the press; they have good songs, they play them well, they provide a lot of enjoyment to those who come to see them and they always draw a good crowd whenever they play. That’s really all people want from a live band, and this group know how to give an audience a good night out. My only slight criticism is that they didn’t play much from most recent album ‘No Fixed Address’; the set was loaded with their hits once again and perhaps they feel that they ought to give their public what they want. Perhaps that’s it – they play for their fans, not the self-appointed ‘tastemakers’ who think they are so influential about what the masses should see and hear.

As long as Nickelback put their fans before their critics they’ll continue to thrive, and I look forward to their return to Liverpool whenever they play this country next.

4 - Deserving

4 – Deserving