Caught Live: HAIM, Olympia Theatre, Dublin IRL 12th June 2018

It’s been almost five years since I last saw the sister-act HAIM live; that was at the end of their breakthrough year of 2013. Although they’d played UK dates in 2012 as support to Florence + The Machine, they really came to the attention of the British public when they won the BBC’s ‘Sound Of…’ award at the beginning of that year. From there they were featured heavily on BBC music programmes including their coverage of Glastonbury, T in the Park and Reading/Leeds (the band appeared at all those festivals), and their UK tour that winter saw the ‘sold-out’ signs everywhere they went. Since then, they’ve replicated their UK success in their US homeland, off the back of a support tour opening for megastar Taylor Swift. This short run of UK and Ireland dates came a year after their second album ‘Something To Tell You’ was released, and also sold out rapidly proving their popularity hadn’t waned in the interim.

The Olympia in Dublin is a small but ornate theatre, I chose to sit in the circle rather than stand in the crowd in the stalls, a wise decision when I got there to find the queue reaching back halfway across Temple Bar! They played two nights here, and I was at the first of those. The opening act was US singer Maggie Rogers, somebody who (once again) I had no prior knowledge of. She turned out to be an expressive performer, clad in a blue jumpsuit and using all of the stage to dance across as she sang, she drew huge cheers from this (mostly) female audience every time she so much as let her hair down or took off her jacket! Her material wasn’t that far removed from HAIM’s own, at least in terms of how they sound on record, and her band gave her good backing, particularly the drummer.  Not strictly my cup of tea, but a good live act and fine singer.

Support act Maggie Rogers

Support act Maggie Rogers

Following her set a huge army of techs were on to turn over the stage for the main act, and soon revealed were a bank of keyboards to one side, a set of drums to the other (for touring members Tommy King and Jody Giachello respectively), and in the middle, more drums! Three sets, for the sisters themselves to use, and not content with that, there were more set up at the front of the stage! These came into use right away as the girls came on, led by youngest sister Alana. Her drum pounding was soon joined by middle sister Danielle and finally, by eldest sister Este. The three of them gave a Sepultura-esque display before launching into opening number ‘Falling’, from their debut ‘Days Are Gone’ album. Following that up swiftly with ‘Don’t Save Me’, they already had this crowd in raptures.

Most of the set leant towards the current album, although other favourites from the debut such as ‘My Song 5’, ‘The Wire’ and of course ‘Forever’ were played. Whatever the song, once again this band showed themselves to be a vastly different experience live than they are on record. Meticulously-crafted, polished and slick on the CD you listen to in the car, live they are a much heavier, much harder-hitting band. Put simply, on record they’re Smooth Radio, live they’re Planet Rock! Touring drummer Jody Giachello has a lot to do with that, he is a thunderous player and drives the backline along superbly, but the other major difference is that Danielle Haim is unleashed onstage – she is a fine lead guitarist, throwing out solos that Gary Moore or Robin Trower would have enjoyed on songs like ‘Nothing’s Wrong’, which simply aren’t there on the records. In addition to that, Alana gets to add her own guitar parts as well as contribute keyboard touches and additional drums. She relishes the chance to get amongst the fans and did just that towards the end of the set, singing while posing with her adoring public on the front row. She even draped a tricolour around herself and returned to the stage to play, with it still on her back!

Eldest sister Este on the bass once again delighted her fans with her ‘bass face’ expressions, and surprised us all by ditching her top after three numbers, opting to play the rest of the set in her bra! Not that anybody minded (least of all this fan!) but it did encourage at least one audience member to follow suit! As usual, there was the humorous banter between songs, and as they were in Dublin they even indulged in a pint of Guinness each. At least two of them did, Danielle opted out, explaining that she’d been fighting off a bug and was still on antibiotics.  Behind the antics, Este is a fantastic bass player, locking in with their touring drummer and providing many tasty little fills. Danielle took over the drums for ‘Something To Tell You’; she normally sings it too, but with her being ill Alana took the lead vocal on this occasion.

That was about the only indication Danielle was unwell, she still sounded in good voice and her guitar playing, as said before, was immense. For their rendition of ‘Right Now’, played in the encore, the delivery was with more ‘anger’, more ‘menace’ than was evident on the album, with a few choice F-bombs thrown in for good measure. Danielle closes this with another scorching lead solo before the three of them take to those drums at the back and give us one final blast. For this segment, they gave Giachello a (deserved) moment in the spotlight for a solo of his own. After that they took their bows to tumultuous cheers and made their exits.

The band I saw in 2013 were great, but still raw. It was their harder live sound which hooked me, and they still have that now but with more experience and more craft, after some solid touring in huge arenas over the past couple of years. They’re now the finished article, and it’s to be hoped that their short run of shows on these shores this time will be followed up by a more comprehensive tour at a later date. That will likely be in arenas though, they now have the audience to fill bigger places and if I may drop a hint to the girls, it’s time you came back to headline Liverpool’s Echo Arena!

5 – Delightful


Album: HAIM ‘Something To Tell You’ (Polydor)

Back in 2013, there was no escaping HAIM. The group, made up of three sisters from California first came to UK attention at the beginning of that year, winning the BBC’s Sound of 2013 poll of music industry figures. From then on, following a UK tour in the spring they played Glastonbury, T In The Park, and Reading/Leeds – all of these appearances were televised on BBC, significantly boosting their profile. Their first full album, ‘Days Are Gone’ did not appear until the autumn of that year but by the time it did, they were as well-known in the UK as they already were in their native Los Angeles. When the record was released, it showed two distinct sides to the group.

On album, their music was radio-friendly pop with harmony vocals to the fore, with more than a hint of Fleetwood Mac and The Eagles to their sound. Against that, the record’s modern production sheen brought their sound up to date. However, they were a completely different proposition live; middle sister Danielle (the more reserved of the trio) was cast as primary lead vocalist, while showing herself to be a mean lead guitar player, unleashing hard rocking solos in songs that had nothing of the sort on record. She also played drums on the album, however for live performances the sisters enlisted drummer Dash Hutton (a friend of eldest sister, bassist/vocalist Este) who toured full-time with the girls.  Este herself was the most outgoing of the trio, engaging the crowd between songs with banter punctuated by more than a few choice F-bombs, while youngest sister Alana ‘Baby Haim’ took up the other side of the stage, given a multi-faceted role on rhythm guitar, additional drums and keyboards as well as vocals.

Later on the group added a full-time touring keyboardist (Tommy King) to take some of the load off Alana, expanding the live group to a quintet. The band live were more akin to a hard rock act than a pop group, songs would feature Danielle cutting loose on the guitar far more than on record, and to close their set the girls would take to drums themselves to bash away alongside their drummer in a spectacle reminiscent of that done by The Scorpions in recent years. The band toured extensively for the next two years, coming back to the UK in 2014 for a tour of bigger halls, and a return to Glastonbury in the summer, but back in their homeland their popularity really blew up when they were selected to support pop megastar Taylor Swift. From there on in they haven’t looked back, although this second album has been delayed somewhat by the meticulous nature of their studio work. The group actually pulled out of planned festival dates in summer 2016 in order to focus on completing the album, releasing a statement apologising to their UK fans.

In April 2017 HAIM finally unveiled a taster for this record, the haunting, brooding ‘Right Now’ which turned out to be an early, ‘live in the studio’ performance. To say the least, after the runaway success of their first album expectations were high for ‘Something To Tell You’ – especially after a four-year gap (Leppard-esque, if you will!) between this and ‘Days Are Gone’. The record was released at midnight on Friday, 7th July, becoming available immediately to listen to on Spotify. Time to settle back and see what the LA sister act have in store for us this time, then…

If you’ve seen this band live and were hoping for an album that captures that harder live sound more accurately, prepare to be disappointed. The material here is smooth, slick, well-produced (perhaps OVER-produced? Bearing in mind that the final result is exactly how the band intended it to be) but, once again it shows that on record this group is a different beast to the onstage version. That’s not to say it is a bad album; it’s actually very good, the songs are designed to ease their way into your brain and take root – you’ll find yourself humming one or more of these ditties after one listen to this album. If anything it is smoother than ‘Days Are Gone’; the group worked once again with producer Ariel Rechtsaid to deliver an album that will sound great in the car, whether you’re heading down a freeway in the summer sun or stuck in a traffic jam on the M62 on a cold, wet Monday morning. There are some nifty basslines from Este in tracks such as recent single ‘Want You Back’, but guitar from Danielle is used sparingly, often buried in the mix such as on the playout for ‘Little Of Your Love’. I’d expect that to be radically different once they hit the stage.

The vocal harmonies that have led to those Wilson Phillips comparisons are present and correct, and they venture into RnB territory with songs such as ‘Ready For You’. On that track, surprisingly there is another lead guitar playout from Danielle, unsurprisingly it is again buried deep within the production. On ‘You Never Knew’ they go into full Fleetwood Mac mode; the echoed backing vocals will make you think immediately of ‘Little Lies’ from Mac’s 1987 album ‘Tango In The Night’.

The girls’ drum background is shown once again in ‘Kept Me Crying’; this album’s ‘The Wire’ with a beat throughout that will inevitably lead to audience handclaps when it’s played live. This one DOES have a more prominent, fuzzed-out guitar outro. The highlight for me is penultimate track ‘Right Now’; a slow-burner starting out with a church-style organ and gradually building up, deploying the heavy guitar chords for the only time on the record midway through and then introducing those syncopated drums. Even so, the live version as seen on their recent BBC appearances is superior, the production is a little bit too strong with unnecessary (IMO) effects added to Este’s backing vocal. That could have been the album closer, but they have chosen to end things with the gentle ‘Night So Long’, demonstrating once again their close harmony vocals.

You won’t find thought-provoking lyrical content on this record, it is all concerned with boy/girl relationship issues. With that in mind it is a little baffling that this band is considered ‘indie’ by some, this is pure ear candy that has many tracks that could be singles, surely many will be picked up by radio in the coming months. Besides ‘Want You Back’ and ‘Little of Your Love’, tracks such as ‘Found It In Silence’ and the title track are potential hit singles.

If you’re more of a rock fan and were hooked by this group’s live prowess, you’ll need to put aside your metallic leanings in order to enjoy this record. If you can do that, there’s much to enjoy on this album. Consider it a successor to ‘Tango In The Night’ and you’re about there.

Haim 'Something To Tell You'

Haim ‘Something To Tell You’

4 – Deserving